Focus Check podcast ep72: What are your ULTIMATE mirrorless camera features? - WATCH or LISTEN now!
Focus Check podcast ep72:The ULTIMATE mirrorless camera?
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Filmmakers around the world have mentioned the Great Camera Shootout 2011, hosted by Zacuto many times this year, and while some people got the chance to see the resulting footage in full resolution in a theatre the rest of us has been waiting for Zacuto to publish it on the web.And finally, the first episode is here and I cannot stress enough that if you’re a camera person you really shouldn’t miss the chance to see this beautifully edited piece of well done camera comparison!
Not only is it a very scientific and accurate comparison of the current most important large sensor cinema cameras (DSLRs among them), but it also has comments by many DOPs with different backgrounds nicely woven into it to give you a great scope of observations and opinions.
This first episode is all about Dynamic Range. The second and third episodes will be published in July and August of this year.
The first screengrab on the left shows the people involved in the project. Professional DOP Robert Primes, ASC, designed and administered the full series of tests.
Here’s a list of all the cameras that were compared:
– Arri Alexa– Sony F-35– Sony F3– Canon 5D Mark II– Canon 7D– Canon 1D Mark IV– Nikon D7000– Weisscam HS-2– Phantom Flex– Panasonic AG-AF100– RED ONE M-X– 35mm Kodak 5213 and 5219 film
It is very interesting to see how well the DSLRs performed with measured 11,2 stops of exposure latitude and to see the differences and similarities of the Canon DSLRs to other large sensor cinema cameras. I think it’s great to get a feel of what the different cameras will do for you and where they’re missing out.
The highly anticipated Sony NEX-FS100 was not part of the test, but it’s brother that shares exactly the same sensor, the F3 showed some very strong lowlight capabilities.
In the next episodes the cameras will face an analysis in regard to it’s sharpness, color quality, flesh tone reproduction, compression losses and shutter artifacts.
Jump to the article by Zacuto and the embedded video:Single Chip Camera Evaluation – Episode 1
I’m eager to hear what you guys think about the test, please share in the comments. Personally I must send a lot of respect to the people involved. Thanks for this great and enriching watch!
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Sebastian Wöber is a director and DP, studied at Filmacademy Vienna and is passionate about harnessing the potential of filmmaking tech to create powerful cinematic work with limited resources. He is currently teaching film at Andrews University in the US.