Atomos Announces 12-Bit Apple ProRes RAW Support For Z CAM E2 Camera

May 12th, 2020

Atomos has just announced that the Atomos Ninja V 5″ HDR monitor-recorder will support ProRes RAW recording from the Z CAM E2. The Ninja V will be able to record 12-bit Apple ProRes RAW at up to 4K60p. We caught up with Dan Chung from Atomos to learn more about it.

AtomosZCamE2_02

Image credit: Atomos

Z CAM E2 Features

The Z CAM E2 is a very compact and lightweight cinema camera that we discovered during NAB 2018. Here is a quick summary of the features and what this small camera is capable of:

  • The Z CAM E2 features a micro 4/3″ WDR CMOS sensor (19mm x 13mm). There is a Micro Four-Thirds lens mount.
  • Up to 13 stops of dynamic range.
  • Internally, it can record to CFAST 2.0 cards in C4K and 4K UHD at up to 160 fps in H.265. In HD resolution, you can go at up to 240 fps in H.265. In Apple ProRes 4:2:2 10-bit, you can go at up to 60 fps. Finally, in ZRAW (partial-debayer), it supports C4K at up to 30 fps internally.
  • Dual native ISO: 500 and 2500 ISO.
  • Various picture profiles available including Rec.709 / Z-Log2 / FLAT / HLG.
  • You can power it via Sony NP-F style batteries, or the DC 12V 5A 4-pin LEMO connector.
  • There is a little built-in screen on top of the camera but no “proper” display. You need to add your monitor via the HDMI/SDI ports.

If you want, you can read the in-depth review of the Z CAM E2 by my colleague Gunther here.

AtomosZCamE2_01

Image credit: Atomos

Atomos Unleashes ProRes RAW for the Z CAM E2

During our cinema5D Virtual Show, we caught up with Dan Chung from Atomos to discuss the upcoming Atomos Ninja V and Z CAM E2 firmware updates that will allow ProRes RAW recording over HDMI. The Atomos Ninja V 5″ HDR monitor-recorder has been very popular for Z CAM E2 users because the camera doesn’t have a proper screen to monitor what you’re shooting.

AtomosZCamE2_03

Image credit: Atomos

With these upcoming firmware updates, the Ninja V will be capable of recording ProRes RAW HQ/ProRes RAW at up to 4K60P from the HDMI port of the E2. According to Atomos, “additional frame rates will be added in the future.” Your footage will be recorded onto affordable AtomX SSD mini SATA drives in the Ninja V.

At the moment, ProRes RAW is supported in Final Cut Pro X along with a collection of other apps, including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight, and Grass Valley Edius. Adobe and Avid have announced that Adobe Premiere Pro and Avid Media Composer will support ProRes RAW this year.

AtomosZCamE2_04

Image credit: Atomos

Also, Atomos announced the development of a touch-screen camera control on the Ninja V for ALL Z CAM cameras. This control function is similar to what the PortKeys BM5 can already do.  When it comes to the E2, the added benefit of this connection, is the ability to record ProRes RAW directly on the Atomos Ninja V. (At this stage, there is no word from Atomos if ProRes RAW recording will be implemented on other members of the E2 family of cameras).

I think that this smart move from Atomos will allow the E2 to become even more popular amongst independent filmmakers looking for a lightweight camera package capable of shooting high-quality images.

AtomosZCamE2_05

Image credit: Atomos

Price and Availability

The E2 already received a firmware update version 0.95 that you can download here. The Atomos Ninja V will receive a firmware update later in June 2020. Both of these firmware updates are free.

This update makes the Z CAM E2/Atomos a very capable lightweight combo capable of shooting 4K60P ProRes RAW for just under $2500.00, which is incredible. (Our friend and colleague Philip Bloom shot a short piece with this new setup. You can view it by clicking here).

What do you think about this firmware update for the Z CAM E2 and the Atomos Ninja V? Did you already shoot content in Apple ProRes RAW? Let us know in the comments below!

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sam broggs
sam broggs
Member
May 13th, 2020

I am so glad I finally sold my ninja v. Fan noise, eats up batteries, slow startup time, audio delay on minijack input, unreliable hdmi connection. Never external recording again!

Jonathan Grijalva
Jonathan Grijalva
Guest
May 12th, 2020

Is the 4K 120p pixel binned or line skipped? Trying to find info online but having a hard time.

Luke Wen
Luke Wen
Guest
May 12th, 2020

4K 120P on E2 is 1:1 pixel readout, at a reduced ADC depth of 10bit (all other modes operate at 12bit)

Kinson
Kinson
Guest
May 13th, 2020

No binning no sub-sampling, True 4K 120. In fact 4K 160 in 2.4:1 aspect ratio.

Dennis Schmitz
Guest
May 12th, 2020

And still no support inside Davinci Resolve…

John Bull
John Bull
Guest
May 12th, 2020

Now this changes everything

Jonathan Grijalva
Jonathan Grijalva
Guest
May 12th, 2020

Damn…. S1h or Zcam. I am actually about to buy one or the other and having a hard time with this one.

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