Atomos Neon Shipping – Precision HDR Monitor-Recorders

November 12th, 2020 icon / message-square 7
Atomos Neon Shipping – Precision HDR Monitor-Recorders

Recorder/Monitor manufacturer Atomos announced their foray into large scale field- and production monitors at Cine Gear in 2019. Now, after some delay, the first two models of the Atomos Neon are shipping.

A year back Atomos announced four different sizes: 17″, 24″, 32″ and 55″ for its Neon range of production monitors/recorders. Now the Atomos Neon 17″ and the Atomos Neon 24″ are almost ready to ship out to customers.

The Neon series are high-end precision monitor/recorders that seamlessly work in a range of scenarios from studio/virtual production monitoring to accurate color grading.

More color-accurate monitors than recorders

Atomos Neon HDR/SDR monitors should offer accurate and consistent SDR/HDR monitoring and provide recording functionality for easy shot reviewing or render-free output delivery at up to 4k DCI 60p. They are easily deployable in the studio, in the edit, or for remote workflows. The recording functions are still there, but are taking a back seat in order to give the front row to accurate color reproduction for post production.

All screens are factory calibrated. However, user-calibration is possible with the optional USB calibration cable and Xrite i1 Display Pro Plus.

Atomos Neon 17″ and 24″ monitors, side-by-side. Image credit: Atomos

Neon 17″ and 24″ specs

Neon 17” utilises an FHD 1920 x 1080 panel with, 10bit display processing (but only an 8+2 bit display), 4K to HD scaling, and an option for 1 to 1 display pixel mapping.

Neon 24” utilizes a 4k DCI resolution panel with true 10bit fidelity and HD/2K to 4K UHD /DCI upscaling that avoids interpolation methods. Both NEON displays incorporate Full Array Local Dimming (FALD) backlight technology to deliver deep blacks at 1000Nits full screen HDR peak brightness.  The combination display uniformity, super wide viewing angle of 180 degrees H/V and a dynamic contrast ratio of 1,000,000:1 provide detail across both the shadows and specular highlights.

Broadcast frame guides with the option of EBU R5 graphic and action safe areas can be enabled for on screen display. Cinematic guides are also available and can all be used alongside the anamorphic de-squeeze mode. Support for 2x, 1.5x and 1.33x to allow you to match a wide variety of lenses.

Atomos Neon HDR/SDR monitor 17" in Studio Setting
Atomos Neon 17″ Monitor/Recorder. Image Credit: Atomos

Connectivity

The Master Control Unit (MCU) is the brain of the NEON. It supports HDMI 2.0 for both in and loop out. It provides support for video input at 4096 x 2160 4K DCI at up to 60p.  The MCU firmware is upgradable and allows storage of up to 8 x 3D LUTs in its internal memory. Neon includes the AtomX SDI module which provides 2 x 12G SDI.  The configurable ports allow for input of up to 4K60p video. It’s with backward-compatible with single or dual-link 1.5G/3G/6G SDI or the ability to toggle between A and B cameras.

Neon vs. Sumo

Do the Neos replace the Sumo-line?. The answer is no — the Neon lacks the Sumo’s multicam recording/switching features. There is no RAW recording with the new Neon monitors. They can only record video using Apple ProRes and AVID DNx codecs. And while the image quality of the Sumo is good, the Neon’s panels are of way higher quality.

Atomos Neon HDR/SDR monitor 24" in Studio Setting
Atomos Neon HDR/SDR monitors launchedAtomos Neon 24″ affordable grading display. Image Credit: Atomos

Operation only via macOS and iOS

There is no touch-interface on the Neon series of monitors. Touching the anti-glare coating of the monitors with greasy fingers would impact image quality too much. The Neons don’t even have hardware-buttons: the AtomRemote iOS App controls the Neon’s functions via Bluetooth. Atomos plans to bring a control app to macOS in the near future. Unfortunately, there is no support for Windows or Android at this point.

You need an iOS or macOS device to control all settings on an Atomos Neon monitor. Image credit: Atomos

Target groups & use cases

The Neon series is clearly geared towards a different audience than Atomos’ previous products. I don’t expect to see a Sony Alpha shooter running and gunning with a 17″ €4k monitor.

The 17” might be ideal for focus pullers, gaffers, wardrobe and as a production monitor for mobile laptop edit systems. The 24” is perfect for the video village, DIT, and cinematographer. Providing an accurate and comparably affordable monitor for an NLE and grading application that outputs via industry-standard video I/O devices. 

Atomos Neon shipping now

The Neon 17″ and the Neon 24″ monitors are available now. The 17″ model sells for €3699.- ($3999.00) and the 24″ for €5999.- ($6599.00).

As a limited edition launch promotion the Neon 17” and Neon 24” will include in a custom-made HPRC flight case without additional charge for the customer.

What do you think of the Neon-series of Atomos monitor recorders? Are they something you’ll take with you on set or set up in your editing bay? Please let us know in the comments.

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Andreas Schwarz
Guest
November 13th, 2020

without hardware controll, these monitors are useless in many situations…..

Admin
November 13th, 2020

I am sure this will come soon – I agree that operation otherwise could become cumbersome.

Raymond Linares
Raymond Linares
Member
November 12th, 2020

I feel like a control panel module, with either extended wired connection or closed network connection would make this really solid and reliable… As much as the app convenience is great, there are barriers to entry sometimes when relying on wireless. The fail-safe of a secured wired connection with a panel to access necessary functions would be a good addition.

Interested to see one in person.

Admin
November 12th, 2020

I agree, that’s definitely missing but I have no doubt that this will come in the future.

Walter Vargas
Walter Vargas
Member
November 13th, 2020

Indeed. It’s not too worrisome, however, because you’re not likely to be jockeying the controls for a high-end monitor all that much.

Claude Chiarot
Claude Chiarot
Guest
November 12th, 2020

Hi, Thanks for sharing.
The 24″ 4K display looks great!
I wonder if I should get one instead of buying a new camera at about the same price level.
What is the life time of the display before the colors and luminosity start fading?

Admin
November 13th, 2020
Reply to  Claude Chiarot

I guess that is a hard question! Impossible to say without long-term testing …

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