Focus Check podcast ep73: LUMIX S1II Rivals ALEXA Mini LF in Dynamic Range! - TUNE IN now!
Focus Check podcast ep73:LUMIX S1II Rivals ALEXA Mini LF in Dynamic Range!
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
MUTINY has just released a new timecode and record trigger box specifically designed for the Sony FX3 and FX30: the TC-R/S. This compact unit can be mounted to any camera cage, and an optional plate allows you to mount it directly on the camera body with enough clearance for the stock handle/XLR unit. So, let’s take a closer at it!
Since its launch in 2021, the Sony FX3 – that we reviewed here – and a year later, the FX30, both models have proven to be very popular cinema cameras among indie filmmakers, content creators, and small/medium production companies. Indeed, thanks to a compact form factor, both the FX3 with a Full Frame image sensor and the FX30 with a Super35 offer good value for money: In-Body Image Stabilisation (IBIS), 4K recording up to 120 frames per second, 16-bit RAW output via the HDMI output, autofocus capabilities, and much more, all in a compact and lightweight camera body.
Since both cameras fit in the palm of your hand, compromises had to be made, including the lack of built-in ND filters, no SDI video output port, and no dedicated timecode port, to list a few. However, you can use the “Multi” Micro-USB port located on the left side of the cameras to supply them with timecode.
Last year, Tentacle Sync released a dedicated timecode cable for the Sony FX3/FX30. American manufacturer MUTINY is now joining the party with the launch of their TC-R/S box for the Sony FX3/FX30.
The MUTINY TC-R/S for the Sony FX3/FX30 is a compact I/O box that measures 1.3″ x 0.7″ x 1″/3.3 x 1.77 x 2.54cm. Thanks to its compact size, you can mount it directly onto your camera cage via the pass-through 1/4″-20 hole and included screw. The bottom of the TC-R/S features two M3 threaded locating pin holes with 15mm and 10.4mm (ARRI-standard) spacing. Of course, the included 1.5mm locating pin is removable.
To mount the MUTINY TC-R/S directly on the top left side of your Sony FX3/FX30 camera, you’ll need an optional mounting plate if you use the stock XLR top handle. Indeed, the TC-R/S needs to be offset a bit to fit the Sony XLR top handle. The MUTINY mounting plate provides enough clearance and can be orientated in two ways.
The MUTINY TC-R/S has a built-in 6″/15cm Micro-USB cable that connects to your Sony FX3/FX30 Multiport. The TC-RS features a 5-pin timecode input port and a Fischer 3 R/S port. According to MUTINY, the TC-R/S is compatible with every timecode generator, including Tentacle, Deity, Deneke, Ambient, etc. Also, the company mentions that the R/S Fischer port works with “every FIZ wireless follow focus system, including the ones from Preston, ARRI, C-Motion, Tilta Nucleus, Heden, etc.”
If you need a record/stop trigger button, MUTINY has multiple bundles with their Bolt-On V2 R/S trigger. This compact record button can be attached anywhere you want on your camera rig via a 1/4″-20 mounting screw.
The MUTINY TC R/S breakout box for the Sony FX3/FX30 is available now for $125. The bundle with the mounting plate is $140, and packages with a Bolt-On V2 R/S trigger button start at $245.
For more information, please visit MUTINY’s website here.
What do you think about this compact breakout box for the Sony FX3/FX30? What is your preferred timecode workaround for the Sony FX3/FX30? Don’t hesitate to let us know in the comments down below!
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Jeff Loch is a French freelance director, editor and colorist, working mostly on music videos, commercials, and corporate films.